He was suffering from leaving his homeland, he had this deep attachment to the life he had back in Russia.” Taking advantage of opportunitiesįederova’s interpretation of Rachmaninoff’s Second Concerto has been viewed 35 million times on YouTube. Tchaikovsky was “partially Ukrainian, there is a Russian spirit in his music but also a lot of Ukrainian folk songs.” As for Rachmaninoff, he had “to leave Russia because of the Revolution, and he was not even able to return after living in Europe and the US. Shostakovich’s music expresses the horrific things that happened during the Soviet regime”. Most of them were against the war and their pieces speak out for them. ”They are clearly not supporting the current regime in Russia and did not choose to become tools of propaganda. Not only is she deeply committed to supporting the musicians of her country during these difficult times, but she also stresses the need to continue playing the compositions of past Russian composers – at the heart of her repertoire – while focusing on their individual trajectories. It’s emotional, full and dramatic, that will be a lot of fun to play it.” Russian composers From one side it’s very Spolyphonic and structured, in a way you can get a connection from Bach, but it’s also very groovy, like a big jazz improvisation. “From the very first note of the recording I was taken away. This year, for the opening concert at the Salle des Combins, she will be performing, for the first time, Rodion Shchedrin’s lively Concerto No.2 for piano and orchestra with conductor Gianandrea Noseda. Twice a student at the Academy, in 20, she is no stranger to the Verbier Festival, to which she owes part of her development as a musician. Subscribe to our newsletter for news about the Verbier Festival, including calls for applications to Academy programmes.įor technical questions, please visit the Acceptd Help Desk.As the daughter of emeritus piano professors, Ukrainian pianist Anna Fedorova was plunged into the pianistic world at a very early age. *Programme dates refer to date of arrival and departure from Verbier The Academy has been a career launchpad for many of today’s most sought-after musicians and the Festival’s resident professional orchestra-the Verbier Festival Chamber Orchestra-is made up of Academy alumni who now hold positions with the world’s leading orchestras.Įligibility: Ages 20 to 32 on 1 July 2022Īpplication Deadline: 17 November 2021 - APPLICATIONS NOW CLOSEDĮligibility: Ages 25 to 35 on 1 July 2022Īpplication Deadline: 1 January 2022 - APPLICATIONS NOW CLOSEDĮligibility: Ages 16 to 28 on 1 July 2022 (13 to 15 for Junior Students)Īpplication Deadline: 19 January 2022 – APPLICATIONS NOW CLOSEDĮligibility: Ages 22 to 30 (average age of members) on 1 July 2022Įligibility: Ages 15 to 18 on 1 July 2022Įligibility: Ages 18 to 28 on 1 July 2022Įligibility: Ages 20 to 30 on 1 July 2022 It sets the gold standard for training of emerging soloists, chamber and orchestral musicians, singers and conductors. The Verbier Festival Academy is the Verbier Festival’s respiratory system, the laboratory where future talents are discovered and nurtured.
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